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Patrick Williams is a poet, sound artist, and academic librarian living in Central New York. Recent work appears in publications including Vinyl, Bennington Review, Glittermob,Noble / Gas Qtrly, Heavy Feather Review, and elsewhere. His full-length poetry collection Manual Random Hill (Nine Mile Art Corp) and chapbook TINY DATA IN LARGE SUPPLY (typewriter.city) were released in 2021. His chapbook Hygiene In Reading (Publishing Genius, 2016) was selected as the winner of the 2015 Chris Toll Prize.
He is the founder and editor of Really System, a journal of poetry and extensible poetics which released 24 issues from 20014-2020.
He is the hands behind typewriter.city.
He shares poems he has found in printed concordances at concordancepoems.com.
Patrick holds a B.A. in English from The University of North Carolina at Greensboro and an M.S. and Ph.D. in Information Studies from the School of Information at The University of Texas at Austin. His research focuses creative writers' online reading and writing practices, social interaction, and what we can learn from the systems that support them. Patrick has worked as a graphic designer, an information architect, a community technology consultant, and a dj.
Big chunk from Manual Random Hill
in Nine Mile, Fall, 20215 pieces from Har___d Sen______
in Moonchild, July 2019In City Parks, In the Sour Void & New Age Downloads
in Burning House Press, November, 2018Suite of a dozen poems
in Nine Mile, March, 2018This Reagent Tablet Looks Like a Cert I Totally Want to Eat It & Generic (for Lexapro)
in Bennington Review, January, 2018Ohm Sweet Ohm, On Ingest, & One Note Corpse Pose
in Moonchild, October, 2017Every Eyelid Has Two Sides, Our Newspeak, & Leaving Laurelland
in The Occulum, October, 2017The Greatest Critical Apparatus, Terrorgram, & Test Tube Babies
in Burning House Press, April, 2017Impersonation & Manual Random Hill
in PUBLIC POOL, March, 2017I'm a Sleepwalking Cheetah With a Heart Full of Lip Balm & Big Money for Broken Gold
in Sea Foam Magazine, February, 2017The Broken Record I Want To Sound Like
in The Birds We Piled Loosely, January, 2017Fluxes, The Light Running Fox, Resist the Smashing Impact of Truck Traffic, and two audio pieces
in Hot Tub Astronaut, November, 2016For the Caisson Dead
in Beech Street Review, August, 2016Comedown Music (for husks & hulls) & Comedown Music (for cabin pressure)
in Noble / Gas Qtrly 203.1, March, 2016On Bruno, airborne in 1916 & Warm & Heavy
in Sick Lit Magazine, February, 2016Five Collages from Media & Methods
in Carbon Culture Review, January, 2016An Elliot Gould Film on Loop at the Travel Plaza, Output Potential, Little Moon, Poem for a Pickup Window Decal, A Spell in Headline Form, Shanti 3304, City Room Summer, and Inlet
in fogmachine, November, 2015In the Dark His Gestures Could Not Be Read, Contemporary Science Stories, The Habit-Forming Epoch, With Long Teeth and Upon Returning Later, Dealing with Youth, Imagery, After-image, Feeling, etc., and 'I am not a bird.'
in Jungftak, October, 2015McKinley (6:16)
in The Rain, Party, & Disaster Society, July, 2015Moonburn City, Gravity, Dunkel Zauber, & Leave Me Your Slide Rule
in SOFTBLOW, July, 2015We Are All Not, The Gray Man: A Listmania List, & Space Yam or Mandeltweak (Omnichord drone)
in Hot Tub Astronaut, May, 2015Conditioning & The Mending Apparatus
in A Quiet Courage, April, 2015Necessary Facilities Improvements
in Heavy Feather Review, February, 2015Ill Elvis in literal matte lilt, Look at actual distance. / Look repressed. & On N On O No!
in M58, January, 2015How Do We Perceive Anything? & Auditory Recognition by General Forms
in Verdad, October, 2014Disjecta Membra, Each City and Region For Itself, The Thought Reader, The Extreme Thrill of Simplicity, & Dynamogenesis
in Lime Hawk, October, 2014Outside Avon
in NO INFINITE, September, 2014Warm & Heavy (audio cut-up poem)
in FAKE POEMS, June, 2014Ill Affordances, Monkey Jungle Flashback, & Many Parts Fall Into Backyards
in The Collapsar, June, 2014Dead Air is an Impossible Crime & Loop Current
in Pretty Owl Poetry, March, 2014HCI_ZKUS, Use Systems, & Correction
in M58, February 2014WYSIWYG, Your Kind Attention Please, Rental Period, & Fidelity Sound
in 3:AM Magazine, November 2013Automatic Writing & New Telegraphy
in Word Riot, August 2013Here are some things you can get your hands on:
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MANUAL RANDOM HILL My first full-length poetry collection, published by Nine Mile Art Corp in 2021. Cover image by Mark Mulroney. Purchase at Nine Mile's online store |
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TINY DATA IN LARGE SUPPLY Fifteen poems, eighteen pages. Surveillance center, planetarium, & Le Mans. Cold-war punchcard covers, vintage formfeed endpapers. Hand-numbered edition of 80. 3.5" x 3.25". Handmade & self-released. Purchase at typewriter.city |
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WHAT THE GHOST OF A GHOST IS I created a one-of-a-kind artists book using a Pac-Man lunchbox, sound, and source code for Container's Multitudes series. This item can now be found in the Art and Architecture Special Collections Library at the University of Michigan, call number N 7433.4 .W554 W49 2017. |
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Poet-Librarians in the Library of Babel:
Innovative Meditations on Librarianship I am thrilled to have an essay in this great collection, entitled "and lo! yr letter hit me hard: Connecting Poets' Lives & Works in Special Collections & Archives," along with a poem. Buy a copy at Amazon |
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IMPERFECT: poems about mistakes: an anthology for middle schoolers I have a poem about Einstein making mistakes in this cool anthology for teens. Buy a copy at Amazon |
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Hygiene in Reading - $7 This chapbook contains 22 poems written with Edmund Burke Huey's 1908 volume The Psychology and Pedagogy of Reading; with a Review of the History of Reading and Writing and of Methods, Texts, and Hygiene in Reading as a source text. Each piece draws its language only from the words in a single chapter of that book. There's also a collage I made from the original illustrations. Buy a copy at the Publishing Genius store! |
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ILL ELVIS IN LITERAL MATTE LILT - $3 Visual poem (orginally appearing in M58), in one of a variety of colors and shapes, randomly selected. |
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OHM SWEET OHM prints - $5 Two color screen print in 3 colorways based on the final cut on Kraftwerk's 1975 LP Radio-Activity; background image of the group from the reissue liner notes. |
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"This Reagent Tablet Looks Like A Cert I Totally Wanna Eat It" letterpress poster - $15; $5 domestic shipping I made an edition of 22 of these 12"x"18 posters on a manual Vandercook press at the Cracker Factory in Geneva, New York during the summer of 2015. The text comes from a statement my Biology Lab partner made to me 20 years ago during my first semester of college, and it's better than any poem I'll ever write. Ships in a tube, signed & numbered. |
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CORNINGWARE CORNFLOWER TSHIRT- $10 A tshirt emblazoned with the same beautiful Corningware Cornflower that graced your every childhood caserole. You pick the size, I pick the color. |
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We Boo "Hey Jude" & You Can Too Zine - $5; free domestic shipping A serialization of a nearly 60-tweet story about my experiences around September 11, 2001 I told on Twitter during my lunch hour in October 2015. |
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Fourteen Concordance Poems - $4; free domestic shipping This little booklet contains 14 pieces from my Concordance Poems project. Comes in several cover/binding colorways, you'll get one randomly selected. |
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Conditioning mini-zine - $1; free domestic shipping This is a one-sheet zine of my poem "Conditioning," which appeared in A Quiet Courage. Contains illustrations from some 60s science books. Free if you buy something else! |
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"I'm A Mess" Button - $2; free domestic shipping Inspired by the marvelous Wreckless Eric, these buttons let you confess to strangers what they already know. I used to hand these out when I dj'd more regularly, so they have my dj name and url on them. Order one to find out what that was! |
Horror Scene X captions selected from:
For quickest results, hit me up in public @activitystory.
In private, try patrick@patrickwilliamsintext.com
In print, it's:
Patrick Williams
222 Waverly Avenue, Room 200
Syracuse, NY 13244
Do you need a prompt to write a poem? How about 45 million?
I share poems that I find in printed concordances at ConcordancePoems.com (and tweet them as @concordancepoem).
Sometimes I create and score little videos.
I collect records of all sorts and sometimes run a local Record Nite.
I have an academic life as well. This is the longest thing I will ever write.